It only took 8 years and an orchestral jazz cover but one of the funkiest Persona 5 songs finally got nominated for a Grammy

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It only took 8 years and an orchestral jazz cover but one of the funkiest Persona 5 songs finally got nominated for a Grammy


The Phantom Thieves at school.
(Image credit: SEGA)

As a certified JRPG sicko, Shoji Meguro has managed to bury his work in almost every Spotify playlist I’ve made. His work across Atlus games like Catherine, Persona, and Metaphor: ReFantazio live in my head rent-free, sprinkling flavourful vibes like J-Pop and jazz to my relatively normal music library.

Persona 5 has arguably become some of his most recognisable work, and the soundtrack went up for a slew of awards as a result. I’m not sure if it ever won any of them, but eight years later it has another chance thanks to jazz orchestra The 8-Bit Big Band.

Its rendition of battle theme Last Surprise, featuring Jonah Nilsson and Button Masher, has been nominated for a freakin’ Grammy of all things, for Best Arrangement, Instruments and Vocals. It’ll have to face off against the likes of John Legend for his track Always Come Back, as well as Willow Smith for Big Feelings.


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Last Surprise from Persona 5 – *Big Band Fusion Version* ft. Jonah Nilsson and Button Masher – YouTubeLast Surprise from Persona 5 - *Big Band Fusion Version* ft. Jonah Nilsson and Button Masher - YouTube

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It’s a pretty fantastic arrangement, somehow injecting extra jazzy vibes along with a sprinkling of some more retro digitised sound bites. Of course, the band’s just up for their audio arrangement, but I recommend watching the full video for some lovely accompanying graphics. The iconic battle menu is included, of course.

This isn’t actually the first time The 8-Bit Big Band has found itself in the Grammys. The orchestra won Best Arrangement, Instrumental or A Capella in 2022 for their performance of Meta Knight’s Revenge from Kirby Super Star, making it the group’s second nomination for the music awards. In a tweet acknowledging the nomination, The 8-Bit Big Band said it was “so thrilled” to be up for another award, adding “LONG LIVE VIDEO GAME MUSIC!!!”

It’s pretty cool to see videogame tracks getting their flowers in a more commercial awards show, especially when it’s not even in a dedicated videogame category. The Grammys actually added one of those in 2023 though—Stephanie Economou was the inaugural winner for her work in Assassin’s Creed Valhalla: Dawn of Ragnarök, with Stephen Barton and Gordy Haab taking last year’s award for Star Wars Jedi: Survivor.

This year’s—deep breath—Best Score Soundtrack for Videogames and Other Interactive Media nominations are for Avatar: Frontiers of Pandora, God of War Ragnarök: Valhalla, Marvel’s Spider-Man 2, Star Wars Outlaws, and Wizardry: Proving Grounds of the Mad Overlord.

Mollie Taylor
Mollie Taylor
Features Producer

Mollie spent her early childhood deeply invested in games like Killer Instinct, Toontown and Audition Online, which continue to form the pillars of her personality today. She joined PC Gamer in 2020 as a news writer and now lends her expertise to write a wealth of features, guides and reviews with a dash of chaos. She can often be found causing mischief in Final Fantasy 14, using those experiences to write neat things about her favourite MMO. When she’s not staring at her bunny girl she can be found sweating out rhythm games, pretending to be good at fighting games or spending far too much money at her local arcade.  

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LOS ANGELES, CALIFORNIA - FEBRUARY 02: (FOR EDITORIAL USE ONLY) Winifred Phillips accepts the Best Score Soundtrack for Video Games and Other Interactive Media award for "Wizardry: Proving Grounds of the Mad Overlord" onstage during the 67th GRAMMY Awards Premiere Ceremony at Peacock Theater on February 02, 2025 in Los Angeles, California. (Photo by Amy Sussman/Getty Images)

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